One of the reasons why I still model in clay is because the fashion is changing all the time. I also like to feel in clay what I see in a photo. With a little help of my visual language of 'abstract keys' I made this imaginary structure that blurs the boundaries between sculpture and video. Click the image and enjoy this ambiguous, layered, De Chirico-like composition.

A sculpture is more than just material and more than just a picture. How should the spirituality of a myth be visually represented? How to create a dialogue between the material (terracotta) and the idea (Zeus and Io) All the elements act upon each other and change each other.