This optimistic sculpture motivates us to do something, to stand up from the couch and to be active
Every morning we may reinvent ourselves with a new adventure. The art party near the coast of Miami is over. What stays is this intricately modelled terracotta. She is not going anywhere.
One of the reasons why I still model in clay is because the fashion is changing all the time. I also like to feel in clay what I see in a photo. With a little help of my visual language of 'abstract keys' I made this imaginary structure that blurs the boundaries between sculpture and video. Click the image and enjoy this ambiguous, layered, De Chirico-like composition.
First-line figurative drawing is the queen of drawings. An all in one combination. Concentration, knowledge, imagination, no correction, no wrong gesture, expression and composition.
.......are never ending challenges for new connections, new seeing, new superpositions.
A sculpture is more than just material and more than just a picture. How should the spirituality of a myth be visually represented? How to create a dialogue between the material (terracotta) and the idea (Zeus and Io) All the elements act upon each other and change each other.
The concept of 'abstract keys' controls hierarchy of visual contrasts. An abstract key defines a spectrum of shapes. You can feel in advance in an abstract space how certain contrast behaves. I try to dissolve the ortodoxy of modernism and set up a new figurative mentality. Formal language itself and the vibration of life have always been the poles around which my experience unfolds.
is back in sculpture since we know that we spontaneously use mirror neurons while observing a human figure.
Is it possible that BEAUTY is coming around through the back door?
What about KITCH?!
Art is an obvious lie.
Kitch is also a lie but pretends to be true.
The figure springs up from the circular base an then it tries to stop the quick movement by pulling down its garment. At the head, the composition resolves in an enigmatic look forward.
Do you find my aesthetic endeavour valuable? I invite you to invest in this visual language. Click the icon below , enter an amount of your choice and become a part of the process.
composition combines symbolic and surreal elements and transforms them into contemporary experience. In my practice I develope and explore the perception of images and narratives in the urban, computer life.
Feel free to imagine any of my compositions as public art. There is no loss of quality when changing size if the space of the sculpture and the principles of stylization are well defined.
This is a vibrant scene inspired by mythology. I wanted to create movement, action and expression that would bring out the potential energy of the material.
The contrast of textures is enough to make this everyday pose appealing.
I am a philosopher of forms who works on the stylized figure for fifteen years. I am still developing a system of an abstract key, which helps me to control perception. I tend to make sculptures that are interesting for longer observation. How to sculpt a body or society? Not copy it but resonate with it in a choosen rhythm that gives an extra meaning. I want to develop an approach full of information, knowledge and expressions, while at the same time working on a construction.
I am prepared for co-operation with architects, interior designers, landscape architects and sculptors on a formal base of an abstract key. (defined hierarchy of visual contrasts) My part is to develop a space structure that can be applied
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until 29.9.2017
I am at your disposal for any questions you may have about my work. If you have upcoming projects that include sculpture as its part, feel free to contact me.