I am a philosopher of forms who works on the stylized figure for fifteen years. I am still developing a system of an abstract key, which helps me to control perception. I tend to make sculptures that are interesting for longer observation. How to sculpt a body or society? Not copy it but resonate with it in a choosen rhythm that gives an extra meaning. I want to develop an approach full of information, knowledge and expressions, while at the same time working on a construction.
I am prepared for co-operation with architects, interior designers, landscape architects and sculptors on a formal base of an abstract key. (defined hierarchy of visual contrasts) My part is to develop a space structure that can be applied
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- Finished Academy of Fine Art (Ljubljana, SLOVENIA) 1992
-Lives and works in Ljubljana, Slovenia
My latest terracotta sculptures, mostly groups of human figures, reflect on the human body as a part of social scenarious. These are defined by clothes and postures. I am focused more on a social milieu than on particular person. My work is strongly related to poetic of everyday life even if content is mythological. For a single work I collect images from different sources, such as social life, history of art, mythology, personal experience....and put them into the melting pot of imagination. They are reborn later in a composition which connect them according to abstract key, hierarchy of formal contrasts. The process is controled in terms of aestetic but very intuitive in sense of content. The result is unpredictable becouse I learn about the subject as I work. Rhytm, metaphor, psychology, geometry, patterns, codifying modern feelings are the cores of my aestetical and discursive concerns. I chose pure terracotta by which I create dialog between image and memory as well as between present and history of art. I understand it as a place for thinking about present and discovering mystery of sculpture as such.